A dance floor can change how a body understands time. A museum can do the same, but it asks for a different kind of attention. One is built for pulse, heat, and collective movement. The other is built for looking, pausing, and returning to a detail until it starts to shift. Jeff Mills’ forthcoming response to Rembrandt’s The Night Watch sits in that charged space between the two. Resident Advisor reports that Mills has created an audiovisual work with dancer Sophie Boursier,